Alfred Le Petit
"Mes chers petits Parisiens..." ("My dear little Parisians..."), from La Charge
n.d.
1 / 1
-
Artist
Alfred Le Petit
(French, 1841–1909)
- Title "Mes chers petits Parisiens..." ("My dear little Parisians..."), from La Charge
- Date n.d.
- Medium Woodcut with color
-
Dimensions
sheet | 10 3/16 x 11 3/16 in.
- Credit line Gift of Eric G. Carlson in honor of Professor Elizabeth C. Childs, 2000
- Object number WU 2000.0034
-
Technique
woodcut
-
Work type
print
caricature
Humor, Irony, and Satire: Strategies of Critique in Modern Art and Culture
Mildred Lane Kemper Art Museum, Washington University in St. Louis, 05/21/2010 - 07/18/2010
The Political Eye: Nineteenth-Century French Caricature and the Mass Media
Mildred Lane Kemper Art Museum, Washington University in St. Louis, 01/30/2009 - 04/27/2009
This artwork record may be incomplete or need refinement. Our staff actively researches the collection and revises records when new information is available. If you have questions or comments about this record, please contact us.
Related Works
go to Le décrotteur du roi Guilluame (King William’s Boot Cleaner) page
Alfred Le Petit
Le décrotteur du roi Guilluame (King William’s Boot Cleaner)
n.d.
go to La République en danger: “L'amour (Thiers)—Laisse moi seuleument t’embrasser puisque je le jure que je n’aime que toi.” (The Republic in Danger: “Love [Thiers]—Just let me embrace you as I swear that you are the only one that I love.”), from La Charge page
Alfred Le Petit
La République en danger: “L'amour (Thiers)—Laisse moi seuleument t’embrasser puisque je le jure que je n’aime que toi.” (The Republic in Danger: “Love [Thiers]—Just let me embrace you as I swear that you are the only one that I love.”), from La Charge
March 7, 1871
go to L’homme d’affaire de sa Majesté (His Majesty’s Businessman), from La Charge page
Alfred Le Petit
L’homme d’affaire de sa Majesté (His Majesty’s Businessman), from La Charge
n.d.
go to Le porc des Tuileries: "Adieu, mon étoile!" (The Pig of the Tuileries: 'Farewell, my star!'), from La Charge page
Alfred Le Petit
Le porc des Tuileries: "Adieu, mon étoile!" (The Pig of the Tuileries: 'Farewell, my star!'), from La Charge
7 May 1870
go to Gambetta, from the series Fleurs, Fruits & Légumes du Jour (Flowers, Fruit and Vegetables of the Day) page
Alfred Le Petit
Gambetta, from the series Fleurs, Fruits & Légumes du Jour (Flowers, Fruit and Vegetables of the Day)
n.d.
go to Le reveil du lion (The Awakening of the lion), from the series Revue Caricaturale (Caricatural Review) page
Alfred Le Petit
Le reveil du lion (The Awakening of the lion), from the series Revue Caricaturale (Caricatural Review)
after 1841
go to Une Emotion au Jardin des Plantes page
Honoré Daumier
Une Emotion au Jardin des Plantes
19th century
go to Grande course aux Portefeuilles (Great Portfolio Race), from La Caricature page
Auguste Desperret
J. J. Granville
Grande course aux Portefeuilles (Great Portfolio Race), from La Caricature
1830–35
go to Précautions inutiles (Unnecessary Precautions), from La Caricature page
Unknown (French, 19th century)
Précautions inutiles (Unnecessary Precautions), from La Caricature
1830–35
go to Projet d'un monument Expia-poire à élever sur la place de la révolution, précisément à la place où fut guillotiné Louis XVI, from La Caricature page
Charles Philipon
Projet d'un monument Expia-poire à élever sur la place de la révolution, précisément à la place où fut guillotiné Louis XVI, from La Caricature
7 July 1832
go to Untitled, published in La Caricature page
Auguste Desperret
Untitled, published in La Caricature
4 October 1832
go to La quadruple alliance. (The Quadruple Alliance.), published in La Caricature page
Benjamin Roubaud
La quadruple alliance. (The Quadruple Alliance.), published in La Caricature
4 September 1834
go to Le grand prix de vertu. (The Grand Prize for Virtue.), published in Le Charivari page
Unknown (French, 19th century)
Le grand prix de vertu. (The Grand Prize for Virtue.), published in Le Charivari
13 March 1834
go to Les trois parques (The Three Fates), published in La Caricature page
Unknown (French, 19th century)
Les trois parques (The Three Fates), published in La Caricature
20 March 1834
go to "Et tout d'un coup il se fit un grand tremblement á à la Bourse. ("Suddenly everything started shaking at the stock market.), from the series Résurrection de don Carlos (Resurrection of Don Carlos), published in La Caricature page
Benjamin Roubaud
"Et tout d'un coup il se fit un grand tremblement á à la Bourse. ("Suddenly everything started shaking at the stock market.), from the series Résurrection de don Carlos (Resurrection of Don Carlos), published in La Caricature
1830–35
go to Obligés d'apprendre à chanter la tyrolienne (Forced to learn how to sing the Tyrolean), from the series Actualités (Current Events), published in Le Charivari page
Paul Hadol
Obligés d'apprendre à chanter la tyrolienne (Forced to learn how to sing the Tyrolean), from the series Actualités (Current Events), published in Le Charivari
1 October 1867
go to Deux journaux qui se suivent quoique marchant en sens inverse. (-Two newspapers that follow each other, even though they are walking in opposite directions.), from the series Actualités (Current Events), published in Le Charivari page
Charles Vernier
Deux journaux qui se suivent quoique marchant en sens inverse. (-Two newspapers that follow each other, even though they are walking in opposite directions.), from the series Actualités (Current Events), published in Le Charivari
10 October 1849
go to Entrée de Napoléon Muzard. (Entrance of Napoleon Muzard.), from the series Au Bal de L'Opéra (At the Ball of the Opera), published in Le Charivari page
Charles Vernier
Entrée de Napoléon Muzard. (Entrance of Napoleon Muzard.), from the series Au Bal de L'Opéra (At the Ball of the Opera), published in Le Charivari
after 1841
go to Une Pastorale en 1865. (A Pastoral in 1865.), from the series Au Bal Masqué (At the Masquerade Ball), published in Le Charivari page
Edouard de Beaumont
Une Pastorale en 1865. (A Pastoral in 1865.), from the series Au Bal Masqué (At the Masquerade Ball), published in Le Charivari
4 February 1865
go to — Comment, antropophage….., tu te présentes dans une société comme celle-ci?.... (— How, cannibal….., do you dare present yourself in a society like this?....), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari page
Edouard de Beaumont
— Comment, antropophage….., tu te présentes dans une société comme celle-ci?.... (— How, cannibal….., do you dare present yourself in a society like this?....), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari
1843–66
go to Oh! ciel, quelles manières, pour une femme comme il faut!.. (Oh! heavens, what manners, for a woman with a sense of etiquette!.. ), from the series Au Bal Masqué (At the Masquerade Ball), published in Le Charivari page
Edouard de Beaumont
Oh! ciel, quelles manières, pour une femme comme il faut!.. (Oh! heavens, what manners, for a woman with a sense of etiquette!.. ), from the series Au Bal Masqué (At the Masquerade Ball), published in Le Charivari
1843–66
go to Il faut convenir que le Général donne des fêtes d'un luxe adriatique, (Admittedly the General’s parties have an Adriatic quality,), from the series Bèotisme Parisien (Parisian Dullness), published in Le Charivari page
Auguste Bourdet
Il faut convenir que le Général donne des fêtes d'un luxe adriatique, (Admittedly the General’s parties have an Adriatic quality,), from the series Bèotisme Parisien (Parisian Dullness), published in Le Charivari
3 June 1836
go to Monsieur, je voudrais avoir de la bière. (Sir, I would like to have a beer.), No. 8 from the series Bétises (Foolishness), published in Le Charivari page
Auguste Bourdet
Monsieur, je voudrais avoir de la bière. (Sir, I would like to have a beer.), No. 8 from the series Bétises (Foolishness), published in Le Charivari
before 1841
go to Prodige de L'ébénisterie. (The wonders of furniture-making.), from the series Croquis du Jour (Sketch of the Day), published in Le Charivari page
Charles Vernier
Prodige de L'ébénisterie. (The wonders of furniture-making.), from the series Croquis du Jour (Sketch of the Day), published in Le Charivari
21 July 1849
go to Head of Worker, from the series Bayonne page
Komar and Melamid
Head of Worker, from the series Bayonne
1989
go to Anger, from the portfolio The Seven Deadly Sins page
William S. Burroughs
Anger, from the portfolio The Seven Deadly Sins
1991
go to Lust, from the portfolio The Seven Deadly Sins page
William S. Burroughs
Lust, from the portfolio The Seven Deadly Sins
1991
go to Ça glisse tout seul maintenant (She is Skating through Beautifully Now) page
Gustave Frison
Ça glisse tout seul maintenant (She is Skating through Beautifully Now)
1850
go to – R[i]entière, dites-vous?" (– A person who is independently wealthy, you say?), from the series A la mer (By the Sea) page
Alfred Grévin
– R[i]entière, dites-vous?" (– A person who is independently wealthy, you say?), from the series A la mer (By the Sea)
n.d.
go to – Monsieur, je vous prie très-sérieusement de passer votre chemin; je suis une honnête femme! (– Sir, I beg you very seriously to pass me by and go your way; I am an honest woman!), from the series Fantaisies Parisiennes (Parisian Fantasies) page
Alfred Grévin
– Monsieur, je vous prie très-sérieusement de passer votre chemin; je suis une honnête femme! (– Sir, I beg you very seriously to pass me by and go your way; I am an honest woman!), from the series Fantaisies Parisiennes (Parisian Fantasies)
n.d.
go to Dans Breda-Street (On Breda-Street), from the series Fantaisies Parisiennes (Parisian Fantasies) page
Alfred Grévin
Dans Breda-Street (On Breda-Street), from the series Fantaisies Parisiennes (Parisian Fantasies)
n.d.
go to – Si je connais Brrrébant! Il me demande si je connais Brrrébant! (– If I know Brrrebant! He's asking me if I know Brrrebant!), from the series Fantaisies Parisiennes (Parisian Fantasies) page
