Komar and Melamid
Head of Worker, from the series Bayonne
1989
1 / 1
-
Artist
Komar and Melamid
(Russian, active from 1965)
- Title Head of Worker, from the series Bayonne
- Date 1989
- Medium Lithographs, woodcut on copper leaf, embossed leather, ed. 40
- Edition description ed. 40
-
Dimensions
unframed | 24 1/4 x 88 1/2 in.
- Credit line Gift of Nancy Singer, 1992
- Object number WU 1992.27 a-d
-
Technique
lithography
woodcut
-
Work type
print
The Art of the '80s: Modern to Postmodern
Mildred Lane Kemper Art Museum, Washington University in St. Louis, 01/23/1998 - 04/05/1998
1992
Thomas Singer
Inscription Panel d. embossed in gold: "KOMARMELAMID"3:28:48 PM; Panel c. LR in pencil: "Komar Melamid"; verso not examined
This artwork record may be incomplete or need refinement. Our staff actively researches the collection and revises records when new information is available. If you have questions or comments about this record, please contact us.
Related Works
go to Lenin at the Palladium, May Day, New York City, from the portfolio 10: Artist as Catalyst page
Komar and Melamid
Lenin at the Palladium, May Day, New York City, from the portfolio 10: Artist as Catalyst
c. 1992
go to St. Thecla Freeing the City of Este from the Plague page
Lorenzo Baldissera Tiepolo
St. Thecla Freeing the City of Este from the Plague
c. 1760
go to Edward Weston, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Edward Weston, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Vampyr, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Vampyr, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Hanging in Chains, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Hanging in Chains, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Edward Hopper, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Edward Hopper, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Industrial Camouflage Manual, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Industrial Camouflage Manual, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to City of Burbank, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
City of Burbank, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Mark Rothko, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Mark Rothko, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Towards a Better Life, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Towards a Better Life, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Reklame dürch das Schaufenster, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Reklame dürch das Schaufenster, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to The Prevention of Destitution, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
The Prevention of Destitution, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Zeppelin Nights, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Zeppelin Nights, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to With Scott to the Pole, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
With Scott to the Pole, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Songs of a Sourdough, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Songs of a Sourdough, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to China of Today, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
China of Today, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Die Donau, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Die Donau, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Anger, from the portfolio The Seven Deadly Sins page
William S. Burroughs
Anger, from the portfolio The Seven Deadly Sins
1991
go to Lust, from the portfolio The Seven Deadly Sins page
William S. Burroughs
Lust, from the portfolio The Seven Deadly Sins
1991
go to "Mes chers petits Parisiens..." ("My dear little Parisians..."), from La Charge page
Alfred Le Petit
"Mes chers petits Parisiens..." ("My dear little Parisians..."), from La Charge
n.d.
go to Ça glisse tout seul maintenant (She is Skating through Beautifully Now) page
Gustave Frison
Ça glisse tout seul maintenant (She is Skating through Beautifully Now)
1850
go to – R[i]entière, dites-vous?" (– A person who is independently wealthy, you say?), from the series A la mer (By the Sea) page
Alfred Grévin
– R[i]entière, dites-vous?" (– A person who is independently wealthy, you say?), from the series A la mer (By the Sea)
n.d.
go to – Monsieur, je vous prie très-sérieusement de passer votre chemin; je suis une honnête femme! (– Sir, I beg you very seriously to pass me by and go your way; I am an honest woman!), from the series Fantaisies Parisiennes (Parisian Fantasies) page
Alfred Grévin
– Monsieur, je vous prie très-sérieusement de passer votre chemin; je suis une honnête femme! (– Sir, I beg you very seriously to pass me by and go your way; I am an honest woman!), from the series Fantaisies Parisiennes (Parisian Fantasies)
n.d.
go to Dans Breda-Street (On Breda-Street), from the series Fantaisies Parisiennes (Parisian Fantasies) page
Alfred Grévin
Dans Breda-Street (On Breda-Street), from the series Fantaisies Parisiennes (Parisian Fantasies)
n.d.
go to – Si je connais Brrrébant! Il me demande si je connais Brrrébant! (– If I know Brrrebant! He's asking me if I know Brrrebant!), from the series Fantaisies Parisiennes (Parisian Fantasies) page
