William S. Burroughs
Lust, from the portfolio The Seven Deadly Sins
1991
-
Artist
William S. Burroughs
(American, 1914–1997)
- Title Lust, from the portfolio The Seven Deadly Sins
- Date 1991
- Medium Woodcut and screen print
- Edition description 29/90
-
Dimensions
framed | 46 7/8 x 32 7/8 x 2 in.
- Credit line University purchase, Art Acquisition Fund, 1995
- Object number WU 1995.16.05 a
-
Technique
woodcut
screen printing
-
Work type
print
-
Theme
Poetry and Writing
4/13/1995
Shearburn Fine Art, William
This artwork record may be incomplete or need refinement. Our staff actively researches the collection and revises records when new information is available. If you have questions or comments about this record, please contact us.
Related Works
go to Lust, from the portfolio The Seven Deadly Sins page
William S. Burroughs
Lust, from the portfolio The Seven Deadly Sins
1991
go to Sloth, from the portfolio The Seven Deadly Sins page
William S. Burroughs
Sloth, from the portfolio The Seven Deadly Sins
1991
go to Avarice, from the portfolio The Seven Deadly Sins page
William S. Burroughs
Avarice, from the portfolio The Seven Deadly Sins
1991
go to Gluttony, from the portfolio The Seven Deadly Sins page
William S. Burroughs
Gluttony, from the portfolio The Seven Deadly Sins
1991
go to Pride, from the portfolio The Seven Deadly Sins page
William S. Burroughs
Pride, from the portfolio The Seven Deadly Sins
1991
go to Anger, from the portfolio The Seven Deadly Sins page
William S. Burroughs
Anger, from the portfolio The Seven Deadly Sins
1991
go to Anger, from the portfolio The Seven Deadly Sins page
William S. Burroughs
Anger, from the portfolio The Seven Deadly Sins
1991
go to Envy, from the portfolio The Seven Deadly Sins page
William S. Burroughs
Envy, from the portfolio The Seven Deadly Sins
1991
go to Sloth, from the portfolio The Seven Deadly Sins page
William S. Burroughs
Sloth, from the portfolio The Seven Deadly Sins
1991
go to Avarice, from the portfolio The Seven Deadly Sins page
William S. Burroughs
Avarice, from the portfolio The Seven Deadly Sins
1991
go to Gluttony, from the portfolio The Seven Deadly Sins page
William S. Burroughs
Gluttony, from the portfolio The Seven Deadly Sins
1991
go to Envy, from the portfolio The Seven Deadly Sins page
William S. Burroughs
Envy, from the portfolio The Seven Deadly Sins
1991
go to Pride, from the portfolio The Seven Deadly Sins page
William S. Burroughs
Pride, from the portfolio The Seven Deadly Sins
1991
go to Sayed, from the series Our House is on Fire page
Shirin Neshat
Sayed, from the series Our House is on Fire
2013
go to System of Display, E (HERE / Yaacov Agam, Contrastes, 1957) page
Adam Pendleton
System of Display, E (HERE / Yaacov Agam, Contrastes, 1957)
2018–19
go to ¡Otra Margarita! (Another Marguerite!) page
Joaquín Sorolla y Bastida
¡Otra Margarita! (Another Marguerite!)
1892
go to Ecrivain public / Public letter writer, Rafaèle Decarpigny, from the series Prenez soin de vous (Take Care of Yourself) page
Sophie Calle
Ecrivain public / Public letter writer, Rafaèle Decarpigny, from the series Prenez soin de vous (Take Care of Yourself)
2007
go to Ghada, from the series Our House is on Fire page
Shirin Neshat
Ghada, from the series Our House is on Fire
2013
go to System of Display, I (IMPLICIT / Debles, or rhythm figure, Northern Ivory Coast, Korhogo district, Lataha village, Senufo tribe) page
Adam Pendleton
System of Display, I (IMPLICIT / Debles, or rhythm figure, Northern Ivory Coast, Korhogo district, Lataha village, Senufo tribe)
2018–19
go to Untitled (Don’t tread on me / Don’t tempt me) page
Barbara Kruger
Untitled (Don’t tread on me / Don’t tempt me)
1989–90
go to The Scarlet Letter—The Prison Door (after Nathaniel Hawthorne) page
Tim Rollins
Kids of Survival (K.O.S.)
The Scarlet Letter—The Prison Door (after Nathaniel Hawthorne)
1992–93
go to Signal Flag Poems, from S.M.S. No. 3 page
Hannah Weiner
Signal Flag Poems, from S.M.S. No. 3
1968
go to Signal Flag Poems, from S.M.S. No. 3 page
Hannah Weiner
Signal Flag Poems, from S.M.S. No. 3
1968
go to We Have Not Forgotten, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
We Have Not Forgotten, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to La Lucha del Pueblo, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
La Lucha del Pueblo, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Partisan Review, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Partisan Review, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Transition, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Transition, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to The Wording of Police Charges, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
The Wording of Police Charges, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to The Jewish Question, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
The Jewish Question, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Market Diner, from the portfolio City-Scapes page
John Baeder
Market Diner, from the portfolio City-Scapes
1979
go to Forward, from the portfolio City-Scapes page
London Arts, Inc.
Studio Heinrici
Forward, from the portfolio City-Scapes
1980
go to 451, from the potfolio City-Scapes page
Thomas Leo Blackwell
451, from the potfolio City-Scapes
1979
go to Gas Line, from the portfolio City-Scapes page
Ron Kleeman
Gas Line, from the portfolio City-Scapes
1979
go to Building Reflection, from the portfolio City-Scapes page
C. J. Yao
Building Reflection, from the portfolio City-Scapes
1979
go to Triumphal Arch of Marcus Aurelius, from Speculum Romanae Magnificentiae page
Antonio Lafreri
Triumphal Arch of Marcus Aurelius, from Speculum Romanae Magnificentiae
16th century
go to Head of Worker, from the series Bayonne page
Komar and Melamid
Head of Worker, from the series Bayonne
1989
go to "Mes chers petits Parisiens..." ("My dear little Parisians..."), from La Charge page
Alfred Le Petit
"Mes chers petits Parisiens..." ("My dear little Parisians..."), from La Charge
n.d.
go to Ça glisse tout seul maintenant (She is Skating through Beautifully Now) page
Gustave Frison
Ça glisse tout seul maintenant (She is Skating through Beautifully Now)
1850
go to – R[i]entière, dites-vous?" (– A person who is independently wealthy, you say?), from the series A la mer (By the Sea) page
Alfred Grévin
– R[i]entière, dites-vous?" (– A person who is independently wealthy, you say?), from the series A la mer (By the Sea)
n.d.
go to – Monsieur, je vous prie très-sérieusement de passer votre chemin; je suis une honnête femme! (– Sir, I beg you very seriously to pass me by and go your way; I am an honest woman!), from the series Fantaisies Parisiennes (Parisian Fantasies) page
Alfred Grévin
– Monsieur, je vous prie très-sérieusement de passer votre chemin; je suis une honnête femme! (– Sir, I beg you very seriously to pass me by and go your way; I am an honest woman!), from the series Fantaisies Parisiennes (Parisian Fantasies)
n.d.
go to Dans Breda-Street (On Breda-Street), from the series Fantaisies Parisiennes (Parisian Fantasies) page
Alfred Grévin
Dans Breda-Street (On Breda-Street), from the series Fantaisies Parisiennes (Parisian Fantasies)
n.d.
go to – Si je connais Brrrébant! Il me demande si je connais Brrrébant! (– If I know Brrrebant! He's asking me if I know Brrrebant!), from the series Fantaisies Parisiennes (Parisian Fantasies) page