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Kemper Art Museum publications are available for purchase in the Museum Shop. Museum members receive a 10% discount. For more information or to make a purchase, please contact kemperartmuseum@wustl.edu.

Publications are also available for purchase via national and international distributors. Details may be found in individual publication records below. 

go to Katharina Grosse Studio Paintings, 1988–2022: Returns, Revisions, Inventions page
Book cover of "Katharina Grosse Studio Paintings, 1988–1992"

Katharina Grosse Studio Paintings, 1988–2022: Returns, Revisions, Inventions

2022
go to Multiplied: Edition MAT and the Transformable Work of Art, 1959–1965 page
Book cover of "Multiplied: Edition MAT and the Transformable Work of Art, 1959–1965"

Multiplied: Edition MAT and the Transformable Work of Art, 1959–1965

2020
go to Ai Weiwei: Bare Life page
Book cover of "Ai Weiwei: Bare Life"

Ai Weiwei: Bare Life

2019
go to Arthur Osver: Urban Landscape, Abstraction, and the Mystique of Place page
osver_cover.jpg

Arthur Osver: Urban Landscape, Abstraction, and the Mystique of Place

2018
go to Spectacle and Leisure in Paris: Degas to Mucha page
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Spectacle and Leisure in Paris: Degas to Mucha

2017
go to To See Without Being Seen: Contemporary Art and Drone Warfare page
Book cover of "To See Without Being Seen: Contemporary Art and Drone Warfare"

To See Without Being Seen: Contemporary Art and Drone Warfare

2016
go to Spotlights: Collected by the Mildred Lane Kemper Art Museum page
Book cover of "Spotlights"

Spotlights: Collected by the Mildred Lane Kemper Art Museum

2016
go to Balázs Kicsiny: Killing Time page
Book cover of "Balázs Kicsiny: Killing Time"

Balázs Kicsiny: Killing Time

2014
go to In the Aftermath of Trauma: Contemporary Video Installations page
Book cover of "In the Aftermath of Trauma"

In the Aftermath of Trauma: Contemporary Video Installations

2014
go to Drawing Ambience: Alvin Boyarsky and the Architectural Association page
Book cover of "Drawing Ambience: Alvin Boyarsky and the Architectural Association"

Drawing Ambience: Alvin Boyarsky and the Architectural Association

2014
go to Tomás Saraceno: Cloud–Specific page
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Tomás Saraceno: Cloud–Specific

2014
go to Georges Braque and the Cubist Still Life, 1928–1945 page
Book cover of "Georges Braque and the Cubit Still Life, 1928–1945"

Georges Braque and the Cubist Still Life, 1928–1945

2013
go to Sharon Lockhart: Lunch Break III page
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Sharon Lockhart: Lunch Break III

2013
go to Frederick Hartt and American Abstraction in the 1950s: Building the Collection at Washington University in St. Louis page
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Frederick Hartt and American Abstraction in the 1950s: Building the Collection at Washington University in St. Louis

2012
go to Ghost: Elizabeth Peyton page
peyton.jpg

Ghost: Elizabeth Peyton

2011
go to Cosima von Bonin: Character Appropriation page
Book cover of "Cosima von Bonin: Character Appropriation"

Cosima von Bonin: Character Appropriation

2011
go to Precarious Worlds: Contemporary Art from Germany page
Book cover of "Precarious Worlds"

Precarious Worlds: Contemporary Art from Germany

2011
go to Sharon Lockhart: Lunch Break II page
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Sharon Lockhart: Lunch Break II

2011
go to Focus on Photography: Recent Acquisitions page
Brochure cover of "Focus on Photography"

Focus on Photography: Recent Acquisitions

2010
go to Allison Smith: Needle Work page
Book cover of "Allison Smith: Needle Work"

Allison Smith: Needle Work

2010
go to Sharon Lockhart: Lunch Break page
Book cover of "Sharon Lockhart: Lunch Break"

Sharon Lockhart: Lunch Break

2010
go to Metabolic City page
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Metabolic City

2009
go to Chance Aesthetics page
Book cover of "Chance Aesthetics"

Chance Aesthetics

2009
go to The Barbizon School and the Nature of Landscape page
Brochure cover of "The Barbizon School: The Nature of Landscape"

The Barbizon School and the Nature of Landscape

2008
go to Thaddeus Strode: Absolutes and Nothings page
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Thaddeus Strode: Absolutes and Nothings

2008
go to Beauty and the Blonde: An Exploration of American Art and Popular Culture page
Brochure cover of "Beauty and the Blonde"

Beauty and the Blonde: An Exploration of American Art and Popular Culture

2008
go to Andrea Fraser, "What do I, as an artist, provide?" page
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Andrea Fraser, "What do I, as an artist, provide?"

2007
go to On the Margins page
Book cover of "On the Margins"

On the Margins

2007
go to Reality Bites: Making Avant-garde Art in Post-Wall Germany page
Book cover of "Reality Bites"

Reality Bites: Making Avant-garde Art in Post-Wall Germany

2007
go to Window | Interface page
Book cover of "Window Interface"

Window | Interface

2007
go to [Grid <> Matrix] page
Book cover of "[Grid<>Matrix]"

[Grid <> Matrix]

2006
go to Models and Prototypes page
Book cover of "Models and Prototypes"

Models and Prototypes

2006
go to Inside Out Loud: Visualizing Women's Health in Contemporary Art page
Book cover of "Inside Out Loud"

Inside Out Loud: Visualizing Women's Health in Contemporary Art

2004
go to H. W. Janson and the Legacy of Modern Art page
Book cover of "H. W. Janson and the Legacy of Modern Art"

H. W. Janson and the Legacy of Modern Art

2002
go to A Gallery of Modern Art at Washington University in St. Louis page
The cover of A Gallery of Modern Art. The title is written in green, black, blue, and red on a white background.

A Gallery of Modern Art at Washington University in St. Louis

1994