Postwar Prints and Multiples: Investigating the Collection
Barney A. Ebsworth Gallery
Spanning the period from the mid-1940s through the 1970s, Postwar Prints and Multiples: Investigating the Collection presents a selection of printed and editioned artworks from the permanent collection created by leading figures associated with European and American abstraction, Pop and Op art, and conceptual art. This exhibition marks the second in a series that shines a spotlight on lesser-known areas of depth in the Museum’s holdings in preparation for the upcoming expansion of the permanent collection galleries. As artists developed their creative visions in the postwar period, printed formats, with their inherent properties of reproduction, seriality, and multiplicity, were crucial vehicles for articulating and disseminating their practices, yielding an especially rich moment in the history of twentieth-century art.
Within a trajectory that is loosely chronological, the exhibition emphasizes the strengths of the collection as well as its breadth. The selection on view considers a range of aesthetic approaches, including semifigurative works by Jean Dubuffet, Joan Miró, and Pablo Picasso; gestural abstractions by Helen Frankenthaler, Philip Guston, and Jackson Pollock; geometric abstractions by Yaacov Agam, Ellsworth Kelly, and Frank Stella; and Pop compositions by Marisol, Claes Oldenburg, and Andy Warhol. The exhibition also prominently features the six-part S.M.S. periodical—an art collection in a box from 1968 that was filled with small-scale prints and multiples available by subscription. The organizer, the American painter and art dealer William Copley, conceived of it as an intermedia and intergenerational publication, presenting works by an impressive array of artists, both well-known and emerging, including the Dada and Surrealist luminaries Marcel Duchamp, Man Ray, and Meret Oppenheim; Pop artists Richard Hamilton and Roy Lichtenstein; composers Terry Riley and La Monte Young; and an up-and-coming generation of conceptual and post-studio artists represented by Joseph Kosuth and Bruce Nauman, among others. Postwar Prints and Multiples is conceived as a dynamic platform for new research as students, faculty, and outside curators examine and assess the works on view through a series of gallery talks.
The exhibition is curated by Meredith Malone, associate curator.
Support is provided by the William T. Kemper Foundation and members of the Mildred Lane Kemper Art Museum.
Selected works
![3797.tif](https://kemper.qi-cms.com/website/media/w800/permanent_0_4571/3797.tif.jpg)
Joan Miró
Barcelona III
1944![3803.tif](https://kemper.qi-cms.com/website/media/w800/permanent_0_4571/3803.tif.jpg)
Pablo Picasso
Still Life with Lobster
1945![3795.tif](https://kemper.qi-cms.com/website/media/w800/permanent_0_4571/3795.tif.jpg)
Reuben Kadish
Job
1945![3792.tif](https://kemper.qi-cms.com/website/media/w800/permanent_0_4571/3792.tif.jpg)
Stanley William Hayter
Amazon
1945![3813.tif](https://kemper.qi-cms.com/website/media/w800/permanent_0_4571/3813.tif.jpg)
Mauricio Lasansky
Spring
1947![1977_2_13L.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1977_2_13L.tif.jpg)
Anne Ryan
Mobile
1947![3861.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_0_4571/3861.jpg)
Enrique Zañartu
Cold Sun Image
1949![3856_3.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_0_4571/3856_3.jpg)
Jackson Pollock
Number 8
1951![3856_5.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_0_4571/3856_5.jpg)
Jackson Pollock
Number 22
1951![1994_20.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1994_20.jpg)
Pablo Picasso
Femmes d’Alger
1955![1986_3.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1980_1989/1986_3.jpg)
Eduardo Chillida
Ibli II (To Walk)
1963![1985_10_4.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1980_1989/1985_10_4.jpg)
Lucio Fontana
Abstract Composition Plate #4
20th century![4001.tif](https://kemper.qi-cms.com/website/media/w800/permanent_0_4571/4001.tif.jpg)
Yoshiko Noma
Champ XX
1962![4053.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_0_4571/4053.jpg)
Leonard Baskin
Angel of Peace
1959![3935.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_0_4571/3935.jpg)
Karel Appel
Woman
1960![4233G.tif](https://kemper.qi-cms.com/website/media/w800/permanent_0_4571/4233G.tif.jpg)
Roy Lichtenstein
Sandwich and Soda, from the portfolio X + X (Ten Works by Ten Painters)
1964![4233I.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_0_4571/4233I.jpg)
Robert Indiana
Untitled, from the portfolio X + X (Ten Works by Ten Painters)
1964![4233C.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_0_4571/4233C.jpg)
Ellsworth Kelly
Red Blue, from the portfolio X + X (Ten Works by Ten Painters)
1964![4233F.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_0_4571/4233F.jpg)
Stuart Davis
Untitled, from the portfolio X + X (Ten Works by Ten Painters)
1964![4233D.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_0_4571/4233D.jpg)
Robert Motherwell
Untitled, from the portfolio X + X (Ten Works by Ten Painters)
1964![4233J.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_0_4571/4233J.jpg)
Ad Reinhardt
Untitled, from the portfolio X + X (Ten Works by Ten Painters)
1964![4233H.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_0_4571/4233H.jpg)
Larry Poons
Untitled, from the portfolio X + X (Ten Works by Ten Painters)
1964![4233E.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_0_4571/4233E.jpg)
Andy Warhol
Birmingham Race Riot, from the portfolio X + X (Ten Works by Ten Painters)
1964![4427.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_0_4571/4427.jpg)
Marisol
Arm and Purse
1965![1984_13_22.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1980_1989/1984_13_22.jpg)
Philip Guston
Untitled (Wash Forms), from A Suite of Ten Lithographs
1966![1984_13_28.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1980_1989/1984_13_28.tif.jpg)
Claes Oldenburg
Skate Monument, from Notes
1968![4434.tif](https://kemper.qi-cms.com/website/media/w800/permanent_0_4571/4434.tif.jpg)
Helen Frankenthaler
Variation II on Mauve Corner
1969![4401.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_0_4571/4401.jpg)
Jules Olitski
Untitled
1968![4420.tif](https://kemper.qi-cms.com/website/media/w800/permanent_0_4571/4420.tif.jpg)
Frank Stella
Black Adder
1968![4432_1.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_0_4571/4432_1.jpg)
Gene Davis
Tarzan, from the portfolio Series 1
1969![4432_4.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_0_4571/4432_4.jpg)
Gene Davis
King Kong, from the portfolio Series 1
1969![4328.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_0_4571/4328.jpg)
Robert Rauschenberg
Post Rally
1965![4545.tif](https://kemper.qi-cms.com/website/media/w800/permanent_0_4571/4545.tif.jpg)
Robert Rauschenberg
Cardbird III, from the series Cardbirds
1971![4556.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_0_4571/4556.jpg)
Andy Warhol
Vote McGovern
1972![1984_13_1.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1980_1989/1984_13_1.jpg)
Yaacov Agam
Forme Couleur, from the portfolio Suite 3
1974![1984_13_2.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1980_1989/1984_13_2.tif.jpg)
Yaacov Agam
Forme Lignes, from the portfolio Suite 3
1974![1984_13_3.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1980_1989/1984_13_3.jpg)
Yaacov Agam
Rythme Ligne Forme, from the portfolio Suite 3
1974![2004_0011_0016.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_2000_2009/2004_0011_0016.jpg)
Max Bill
XVI, from the portfolio Max Bill 16 Constellations
1974![2004_0011_0001.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_2000_2009/2004_0011_0001.jpg)
Max Bill
I, from the portfolio Max Bill 16 Constellations
1974![2004_0011_0002.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_2000_2009/2004_0011_0002.jpg)
Max Bill
II, from the portfolio Max Bill 16 Constellations
1974![2004_0011_0003.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_2000_2009/2004_0011_0003.jpg)
Max Bill
III, from the portfolio Max Bill 16 Constellations
1974![2004_0011_0004.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_2000_2009/2004_0011_0004.jpg)
Max Bill
IV, from the portfolio Max Bill 16 Constellations
1974![2004_0011_0005.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_2000_2009/2004_0011_0005.jpg)
Max Bill
V, from the portfolio Max Bill 16 Constellations
1974![2004_0011_0006.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_2000_2009/2004_0011_0006.jpg)
Max Bill
VI, from the portfolio Max Bill 16 Constellations
1974![2004_0011_0007.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_2000_2009/2004_0011_0007.jpg)
Max Bill
VII, from the portfolio Max Bill 16 Constellations
1974![2004_0011_0008.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_2000_2009/2004_0011_0008.jpg)
Max Bill
VIII, from the portfolio Max Bill 16 Constellations
1974![2004_0011_0009.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_2000_2009/2004_0011_0009.jpg)
Max Bill
IX, from the portfolio Max Bill 16 Constellations
1974![2004_0011_0010.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_2000_2009/2004_0011_0010.jpg)
Max Bill
X, from the portfolio Max Bill 16 Constellations
1974![2004_0011_0011.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_2000_2009/2004_0011_0011.jpg)
Max Bill
XI, from the portfolio Max Bill 16 Constellations
1974![2004_0011_0012.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_2000_2009/2004_0011_0012.jpg)
Max Bill
XII, from the portfolio Max Bill 16 Constellations
1974![2004_0011_0013.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_2000_2009/2004_0011_0013.jpg)
Max Bill
XIII, from the portfolio Max Bill 16 Constellations
1974![2004_0011_0014.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_2000_2009/2004_0011_0014.jpg)
Max Bill
XIV, from the portfolio Max Bill 16 Constellations
1974![2004_0011_0015.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_2000_2009/2004_0011_0015.jpg)
Max Bill
XV, from the portfolio Max Bill 16 Constellations
1974![1979_17_1.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_1.jpg)
R. B. Kitaj
Edward Weston, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_2.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_2.jpg)
R. B. Kitaj
La Lucha del Pueblo, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_3.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_3.jpg)
R. B. Kitaj
Mark Rothko, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_4.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_4.jpg)
R. B. Kitaj
Towards a Better Life, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_5.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_5.jpg)
R. B. Kitaj
Songs of a Sourdough, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_6.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_6.jpg)
R. B. Kitaj
China of Today, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_7.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_7.jpg)
R. B. Kitaj
Plague, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_8.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_8.jpg)
R. B. Kitaj
Die Donau, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_9.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_9.jpg)
R. B. Kitaj
Articles and Pamphlets, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_10.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_10.jpg)
R. B. Kitaj
The People of the Abyss, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_11.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_11.jpg)
R. B. Kitaj
Vampyr, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_12.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_12.jpg)
R. B. Kitaj
Workers in the Dawn, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_13.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_13.jpg)
R. B. Kitaj
Bub and Sis, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_14.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_14.jpg)
R. B. Kitaj
Intelligence Bulletin, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_15.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_15.jpg)
R. B. Kitaj
Battle Songs, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_16.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_16.jpg)
R. B. Kitaj
We Have Not Forgotten, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_17.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_17.jpg)
R. B. Kitaj
The Bronxville Portfolio, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_18.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_18.jpg)
R. B. Kitaj
Der Russische revolutionsfilm, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_19.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_19.jpg)
R. B. Kitaj
Benia Krik, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_20.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_20.jpg)
R. B. Kitaj
The Congo and Other Poems, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_21.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_21.jpg)
R. B. Kitaj
Partisan Review, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_22.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_22.jpg)
R. B. Kitaj
Hanging in Chains, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_23.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_23.jpg)
R. B. Kitaj
Four in America, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_24.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_24.jpg)
R. B. Kitaj
Edward Hopper, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_25.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_25.jpg)
R. B. Kitaj
Industrial Camouflage Manual, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_26.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_26.jpg)
R. B. Kitaj
Transition, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_27.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_27.jpg)
R. B. Kitaj
City of Burbank, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_28.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_28.jpg)
R. B. Kitaj
Short Takes, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_29.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_29.jpg)
R. B. Kitaj
London by Night, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_30.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_30.jpg)
R. B. Kitaj
Permit Me Voyage, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_31.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_31.jpg)
R. B. Kitaj
The Wording of Police Charges, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_32.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_32.jpg)
R. B. Kitaj
XYZ Photo Eye, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_33.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_33.jpg)
R. B. Kitaj
Menschen der Zeit, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_34.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_34.jpg)
R. B. Kitaj
Fighting the Traffic in Young Girls, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_35.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_35.jpg)
R. B. Kitaj
The Jewish Question, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_36.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_36.jpg)
R. B. Kitaj
Coming of Age in Samoa, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_37.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_37.jpg)
R. B. Kitaj
Hollywood wie es wirklich ist, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_38.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_38.jpg)
R. B. Kitaj
The Tower, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_39.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_39.jpg)
R. B. Kitaj
O'Neill, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_40.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_40.jpg)
R. B. Kitaj
The Caliph's Design, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_41.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_41.jpg)
R. B. Kitaj
Max and the White Phagocytes, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_42.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_42.jpg)
R. B. Kitaj
The Defense of Terrorism, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_43.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_43.jpg)
R. B. Kitaj
Albyn, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_44.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_44.jpg)
R. B. Kitaj
Pride of the Yankees, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_45.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_45.jpg)
R. B. Kitaj
How to Read, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_46.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_46.jpg)
R. B. Kitaj
Reklame dürch das Schaufenster, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_47.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_47.jpg)
R. B. Kitaj
The Prevention of Destitution, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_48.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_48.jpg)
R. B. Kitaj
Zeppelin Nights, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_49.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_49.jpg)
R. B. Kitaj
With Scott to the Pole, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1979_17_50.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1977_1979/1979_17_50.jpg)
R. B. Kitaj
The Pursuit of the House Boat, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969![1990_13_1.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_1.jpg)
Irving Petlin
Little Box of Earthquake and Cotton, from S.M.S. No. 1
1968![1990_13_1A_i.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_1A_i.jpg)
James Lee Byars
Black Dress, from S.M.S. No. 1
1968![1990_13_1B_i.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_1B_i.jpg)
Walter De Maria
Chicago Project, from S.M.S. No. 1
1968![1990_13_1C.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_1C.jpg)
La Monte Young
Two Propositions in Black, from S.M.S. No. 1
1968![1990_13_1D.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_1D.jpg)
Sol Mednick
Hottentot Apron, from S.M.S. No. 1
1968![1990_13_1E_i.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_1E_i.jpg)
Nancy Reitkopf
Luggage Labels, from S.M.S. No. 1
1968![1990_13_1F.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_1F.jpg)
The Letter Edged in Black Press
Title Page, from S.M.S. No. 1
1968![1990_13_1G_i.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_1G_i.jpg)
Kasper Konig
My Country 'Tis of Thee: West Germany, 1968 (Four Views), from S.M.S. No. 1
1968![1990_13_1H.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_1H.jpg)
Richard Hamilton
A Postal Card for Mother, from S.M.S. No. 1
1968![1990_13_1I.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_1I.jpg)
Sue Braden
Project for a Bridge, from S.M.S. No. 1
1967![1990_13_1J.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_1J.tif.jpg)
Christo (Christo Vladimirov Javacheff)
Store Front, from S.M.S. No. 1
1966–67![1990_13_1K_i.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_1K_i.jpg)
Julien Levy
Pharmaceuticals, from S.M.S. No. 1
1968![1990_13_2.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_2.jpg)
Marcel Duchamp
Cover Design with Record, from S.M.S. No. 2
1968![1990_13_2A.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_2A.jpg)
Bernard Pfriem
A Proposed Comic Section for the New York Times, from S.M.S. No. 2
1968![1990_13_2B.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_2B.jpg)
Ray Johnson
A Two-Year-Old Girl Choked to Death Today on an Easter Egg, from S.M.S. No. 2
1967![1990_13_2C.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_2C.tif.jpg)
Alain Jacquet
Three Color Separations, from S.M.S. No. 2
1968![1990_13_2D.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_2D.jpg)
Nicolas Calas
Cynocephalus and Co., from S.M.S. No. 2
1968![1990_13_2E.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_2E.tif.jpg)
Meret Oppenheim
The Mirror of Genoveva, from S.M.S. No. 2
1967![1990_13_2F.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_2F.jpg)
Lee Lozano
Thesis, from S.M.S. No. 2
1968![1990_13_2G_i-xxi.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_2G_i-xxi.jpg)
Bruce Conner
Legal Tender, from S.M.S. No. 2
1968![1990_13_2H.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_2H.jpg)
Clovis Trouille
Album, from S.M.S. No. 2
1968![1990_13_2I_i.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_2I_i.jpg)
Marcel Duchamp
Title Page, from S.M.S. No. 2
1968![1990_13_2J_i.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_2J_i.tif.jpg)
Marcia Herscovitz
Ten Collages, from S.M.S. No. 2
1968![1990_13_2K_i.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_2K_i.jpg)
George Reavey
Farewell to Faust, from S.M.S. No. 2
1968![1990_13_3.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_3.jpg)
John Battan
Cover Design, from S.M.S. No. 3
1968![1990_13_3A.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_3A.jpg)
William Bryant
Clouds, from S.M.S. No. 3
1968![1990_13_3B.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_3B.jpg)
Dick Higgins
Ode to London, from S.M.S. No. 3
1968![1990_13_3C.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_3C.tif.jpg)
Man Ray
The Father of Mona Lisa, from S.M.S. No. 3
1967![1990_13_3D_i.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_3D_i.jpg)
Ronnie Landfield
Two Drawings, from S.M.S. No. 3
1967![1990_13_3E.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_3E.jpg)
Roland Penrose
Bush in Hands, from S.M.S. No. 3
1968![1990_13_3F_i.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_3F_i.tif.jpg)
Hannah Weiner
Signal Flag Poems, from S.M.S. No. 3
1968![1990_13_3G_i.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_3G_i.jpg)
George Reavey
Poems, from S.M.S. No. 3
1968![1990_13_3H.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_3H.jpg)
Enrico Baj
Glove, from S.M.S. No. 3
1968![1990_13_3J_i.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_3J_i.jpg)
Horace Clifford Westermann
Correspondence, from S.M.S. No. 3
1968![1990_13_3K.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_3K.jpg)
Terry Riley
Title Page, from S.M.S. No. 3
1968![1990_13_3L_ii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_3L_ii.jpg)
Terry Riley
All Night Flight (The First Ascent), from S.M.S. No. 3
1968![1990_13_4.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4.jpg)
Robert Stanley
Cover Design, from S.M.S. No. 3
1968![1990_13_4A.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4A.jpg)
On Kawara
100 Year Calendar, from S.M.S. No. 4
1968![1990_13_4B_i.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4B_i.jpg)
Paul Bergtold
Concept Bergtold, from S.M.S. No. 4
1968![1990_13_4C_i.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4C_i.tif.jpg)
Princess Winifred
Asylum Manuscripts, from S.M.S. No. 4
1968![1990_13_4D.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4D.jpg)
Hollis Frampton
Phenakistiscope, from S.M.S. No. 4
1968![1990_13_4E.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4E.jpg)
Lil Picard
Burned Bow Tie, from S.M.S. No. 4
1968![1990_13_4F.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4F.jpg)
Roy Lichtenstein
Hat, from S.M.S. No. 4
1968![1990_13_4G_i.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4G_i.jpg)
Mimmo Rotella
Six Prison Poems, from S.M.S. No. 4
1968![1990_13_4H.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4H.jpg)
Robert Watts
Permanent Parking Decal, from S.M.S. No. 4
1968![1990_13_4I_i.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4I_i.jpg)
John Cage
Diary: How to Improve the World (You will Only Make Matters Worse) Continued 1968, from S.M.S. No. 4
1968![1990_13_4J.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4J.jpg)
Arman
Tortured Color, from S.M.S. No. 4
1968![1990_13_4L.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4L.jpg)
Marian Zazeela
Untitled, from S.M.S. No. 4
1968![1990_13_4M.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4M.jpg)
La Monte Young
Drift Study 4:37:40-5:09:50 5 VIII 68, from S.M.S. No. 4
1968![1990_13_5.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_5.jpg)
Congo, The Chimpanzee
Custer's Last Stand, from S.M.S. No. 5
1968![1990_13_5A_i.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_5A_i.jpg)
Robert Rohm
Cut Corners, from S.M.S. No. 5
1968![1990_13_5B.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_5B.tif.jpg)
Mel Ramos
Candy, from S.M.S. No. 5
1968![1990_13_5C.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_5C.jpg)
Bruce Nauman
Footsteps, from S.M.S. No. 5
1968![1990_13_5D_i.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_5D_i.jpg)
William Schwedler
Against the Grain, from S.M.S. No. 5
1968![1990_13_5E.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_5E.jpg)
Wall Batterton
Splendid Person, from S.M.S. No. 5
1968![1990_13_5F.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_5F.jpg)
Lawrence Weiner
Turf, Stake and String, from S.M.S. No. 5
1968![1990_13_5G.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_5G.jpg)
Angus MacLise
The Inner Pages, from S.M.S. No. 5
1968![1990_13_5H_i.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_5H_i.jpg)
Edward Fitzgerald
24 Still Lifes, from S.M.S. No. 5
1968![1990_13_5I.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_5I.jpg)
Neil Jenney
Bucks American, from S.M.S. No. 5
1968![1990_13_5J.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_5J.tif.jpg)
Diane Wakoski
Magellanic Clouds, from S.M.S. No. 5
1968![1990_13_5K.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_5K.tif.jpg)
Yoko Ono
Mend Piece for John, from S.M.S. No. 5
1968![1990_13_5L_i.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_5L_i.jpg)
William Copley
The Barber's Shop, from S.M.S. No. 5
1968![1990_13_6.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_6.jpg)
Richard Ernst Artschwager
Cover Design, from S.M.S. No. 6
1968![1990_13_6A_i.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_6A_i.jpg)
Toby Mussman
Ten Xerox Sheets, from S.M.S. No. 6
1968![1990_13_6B.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_6B.jpg)
Betty Dodson
Friends, from S.M.S. No. 6
1968![1990_13_6C.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_6C.jpg)
Adrian Nutbeam
Twenty Down, from S.M.S. No. 6
1968![1990_13_6D.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_6D.jpg)
Jean Reavey
Adora, from S.M.S. No. 6
1968![1990_13_6E.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_6E.jpg)
Claes Oldenburg
Unattended Lunches, from S.M.S. No. 6
1968![1990_13_6F.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_6F.jpg)
Dmitri Petrov
Junior Historical Theatre Playroom Kit, from S.M.S. No. 6
1968![1990_13_6G_i.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_6G_i.jpg)
Bernar Venet
Astrophysics, from S.M.S. No. 6
1968![1990_13_6H.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_6H.jpg)
Ronaldo Ferri
Neon Construction, from S.M.S. No. 6
1968![1990_13_6I.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_6I.jpg)
Ed Bereal
Self-Portrait, from S.M.S. No. 6
1968![1990_13_6J_i.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_6J_i.jpg)
Dieter Roth
Chocolate Bar, from S.M.S. No. 6
1968![1990_13_6K_i-xxiv.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_6K_i-xxiv.tif.jpg)
Paul Steiner
Johns in Art Galleries, from S.M.S. No. 6
20th century![1990_13_6L.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_6L.jpg)
John Giorno
Chinese Fortune Game, from S.M.S. No. 6
1968![1990_13_4K.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4K.jpg)
The Letter Edged in Black Press
Title Page, from S.M.S. No. 4
1968![1990_13_5M.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_5M.jpg)
The Letter Edged in Black Press
Title Page, from S.M.S. No. 5
1968![1990_13_3L_i.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_3L_i.jpg)
Terry Riley
All Night Flight (The First Ascent), from S.M.S. No. 3
1968![1990_13_3I_iii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_3I_iii.jpg)
Joseph Kosuth
Four Titled Abstracts, from S.M.S. No. 3
1968![1990_13_3I_v.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_3I_v.jpg)
Joseph Kosuth
Four Titled Abstracts, from S.M.S. No. 3
1968![1990_13_3I_vii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_3I_vii.jpg)
Joseph Kosuth
Four Titled Abstracts, from S.M.S. No. 3
1968![1990_13_3I_ix.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_3I_ix.jpg)
Joseph Kosuth
Four Titled Abstracts, from S.M.S. No. 3
1968![1990_13_4C_ii.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4C_ii.tif.jpg)
Princess Winifred
Asylum Manuscripts, from S.M.S. No. 4
1968![1990_13_4C_iii.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4C_iii.tif.jpg)
Princess Winifred
Asylum Manuscripts, from S.M.S. No. 4
1968![1990_13_4C_iv.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4C_iv.tif.jpg)
Princess Winifred
Asylum Manuscripts, from S.M.S. No. 4
1968![1990_13_4C_v.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4C_v.tif.jpg)
Princess Winifred
Asylum Manuscripts, from S.M.S. No. 4
1968![1990_13_4C_vi.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4C_vi.tif.jpg)
Princess Winifred
Asylum Manuscripts, from S.M.S. No. 4
1968![1990_13_4G_ii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4G_ii.jpg)
Mimmo Rotella
Six Prison Poems, from S.M.S. No. 4
1968![1990_13_4G_iii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4G_iii.jpg)
Mimmo Rotella
Six Prison Poems, from S.M.S. No. 4
1968![1990_13_4G_iv.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4G_iv.jpg)
Mimmo Rotella
Six Prison Poems, from S.M.S. No. 4
1968![1990_13_4G_v.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4G_v.jpg)
Mimmo Rotella
Six Prison Poems, from S.M.S. No. 4
1968![1990_13_4G_vi.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4G_vi.jpg)
Mimmo Rotella
Six Prison Poems, from S.M.S. No. 4
1968![1990_13_4G_vii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4G_vii.jpg)
Mimmo Rotella
Six Prison Poems, from S.M.S. No. 4
1968![1990_13_3G_ii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_3G_ii.jpg)
George Reavey
Poems, from S.M.S. No. 3
1968![1990_13_3G_iii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_3G_iii.jpg)
George Reavey
Poems, from S.M.S. No. 3
1968![1990_13_3F_ii.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_3F_ii.tif.jpg)
Hannah Weiner
Signal Flag Poems, from S.M.S. No. 3
1968![1990_13_3F_iii.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_3F_iii.tif.jpg)
Hannah Weiner
Signal Flag Poems, from S.M.S. No. 3
1968![1990_13_3F_iv.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_3F_iv.tif.jpg)
Hannah Weiner
Signal Flag Poems, from S.M.S. No. 3
1968![1990_13_3J_ii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_3J_ii.jpg)
Horace Clifford Westermann
Correspondence, from S.M.S. No. 3
1968![1990_13_3J_iii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_3J_iii.jpg)
Horace Clifford Westermann
Correspondence, from S.M.S. No. 3
1968![1990_13_3J_iv.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_3J_iv.jpg)
Horace Clifford Westermann
Correspondence, from S.M.S. No. 3
1968![1990_13_3J_v.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_3J_v.jpg)
Horace Clifford Westermann
Correspondence, from S.M.S. No. 3
1968![1990_13_3J_vi.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_3J_vi.jpg)
Horace Clifford Westermann
Correspondence, from S.M.S. No. 3
1968![1990_13_3J_vii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_3J_vii.jpg)
Horace Clifford Westermann
Correspondence, from S.M.S. No. 3
1968![1990_13_3J_viii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_3J_viii.jpg)
Horace Clifford Westermann
Correspondence, from S.M.S. No. 3
1968![1990_13_3J_ix.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_3J_ix.jpg)
Horace Clifford Westermann
Correspondence, from S.M.S. No. 3
1968![1990_13_3D_ii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_3D_ii.jpg)
Ronnie Landfield
Two Drawings, from S.M.S. No. 3
1967![1990_13_4B_ii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4B_ii.jpg)
Paul Bergtold
Concept Bergtold, from S.M.S. No. 4
1968![1990_13_4B_iii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4B_iii.jpg)
Paul Bergtold
Concept Bergtold, from S.M.S. No. 4
1968![1990_13_4B_iv.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4B_iv.jpg)
Paul Bergtold
Concept Bergtold, from S.M.S. No. 4
1968![1990_13_4B_v.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4B_v.jpg)
Paul Bergtold
Concept Bergtold, from S.M.S. No. 4
1968![1990_13_4B_vi.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4B_vi.jpg)
Paul Bergtold
Concept Bergtold, from S.M.S. No. 4
1968![1990_13_4B_vii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4B_vii.jpg)
Paul Bergtold
Concept Bergtold, from S.M.S. No. 4
1968![1990_13_4B_viii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4B_viii.jpg)
Paul Bergtold
Concept Bergtold, from S.M.S. No. 4
1968![1990_13_4B_ix.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4B_ix.jpg)
Paul Bergtold
Concept Bergtold, from S.M.S. No. 4
1968![1990_13_4B_x.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4B_x.jpg)
Paul Bergtold
Concept Bergtold, from S.M.S. No. 4
1968![1990_13_4B_xi.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4B_xi.jpg)
Paul Bergtold
Concept Bergtold, from S.M.S. No. 4
1968![1990_13_4B_xii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4B_xii.jpg)
Paul Bergtold
Concept Bergtold, from S.M.S. No. 4
1968![1990_13_4B_xiii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_4B_xiii.jpg)
Paul Bergtold
Concept Bergtold, from S.M.S. No. 4
1968![1990_13_5L_ii.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_5L_ii.tif.jpg)
William Copley
The Barber's Shop, from S.M.S. No. 5
1968![1990_13_5L_iii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_5L_iii.jpg)
William Copley
The Barber's Shop, from S.M.S. No. 5
1968![1990_13_5L_iv.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_5L_iv.jpg)
William Copley
The Barber's Shop, from S.M.S. No. 5
1968![1990_13_5L_v.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_5L_v.jpg)
William Copley
The Barber's Shop, from S.M.S. No. 5
1968![1990_13_5L_vi.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_5L_vi.jpg)
William Copley
The Barber's Shop, from S.M.S. No. 5
1968![1990_13_5L_vii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_5L_vii.jpg)
William Copley
The Barber's Shop, from S.M.S. No. 5
1968![1990_13_5L_viii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_5L_viii.jpg)
William Copley
The Barber's Shop, from S.M.S. No. 5
1968![1990_13_6J_ii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_6J_ii.jpg)
Dieter Roth
Chocolate Bar, from S.M.S. No. 6
1968![1990_13_6J_iii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_6J_iii.jpg)
Dieter Roth
Chocolate Bar, from S.M.S. No. 6
1968![1990_13_6J_iv.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_6J_iv.jpg)
Dieter Roth
Chocolate Bar, from S.M.S. No. 6
1968![1990_13_5D_ii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_5D_ii.jpg)
William Schwedler
Against the Grain, from S.M.S. No. 5
1968![1990_13_5D_iii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_5D_iii.jpg)
William Schwedler
Against the Grain, from S.M.S. No. 5
1968![1990_13_5H_ii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_5H_ii.jpg)
Edward Fitzgerald
24 Still Lifes, from S.M.S. No. 5
1968![1990_13_6G_ii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_6G_ii.jpg)
Bernar Venet
Astrophysics, from S.M.S. No. 6
1968![1990_13_6A_ii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_6A_ii.jpg)
Toby Mussman
Ten Xerox Sheets, from S.M.S. No. 6
1968![1990_13_6A_iii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_6A_iii.jpg)
Toby Mussman
Ten Xerox Sheets, from S.M.S. No. 6
1968![1990_13_6A_iv.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_6A_iv.jpg)
Toby Mussman
Ten Xerox Sheets, from S.M.S. No. 6
1968![1990_13_6A_v.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_6A_v.jpg)
Toby Mussman
Ten Xerox Sheets, from S.M.S. No. 6
1968![1990_13_6A_vi.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_6A_vi.jpg)
Toby Mussman
Ten Xerox Sheets, from S.M.S. No. 6
1968![1990_13_6A_vii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_6A_vii.jpg)
Toby Mussman
Ten Xerox Sheets, from S.M.S. No. 6
1968![1990_13_6A_viii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_6A_viii.jpg)
Toby Mussman
Ten Xerox Sheets, from S.M.S. No. 6
1968![1990_13_6A_ix.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_6A_ix.jpg)
Toby Mussman
Ten Xerox Sheets, from S.M.S. No. 6
1968![1990_13_6A_x.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_6A_x.jpg)
Toby Mussman
Ten Xerox Sheets, from S.M.S. No. 6
1968![1990_13_1G_ii.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_1G_ii.tif.jpg)
Kasper Konig
My Country 'Tis of Thee: West Germany, 1968 (Four Views), from S.M.S. No. 1
1968![1990_13_1G_iii.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_1G_iii.tif.jpg)
Kasper Konig
My Country 'Tis of Thee: West Germany, 1968 (Four Views), from S.M.S. No. 1
1968![1990_13_1G_iv.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_1G_iv.tif.jpg)
Kasper Konig
My Country 'Tis of Thee: West Germany, 1968 (Four Views), from S.M.S. No. 1
1968![1990_13_2I_ii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_2I_ii.jpg)
Marcel Duchamp
Title Page, from S.M.S. No. 2
1968![1990_13_1E_ii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_1E_ii.jpg)
Nancy Reitkopf
Luggage Labels, from S.M.S. No. 1
1968![1990_13_1E_iii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_1E_iii.jpg)
Nancy Reitkopf
Luggage Labels, from S.M.S. No. 1
1968![1990_13_1E_iv.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_1E_iv.jpg)
Nancy Reitkopf
Luggage Labels, from S.M.S. No. 1
1968![1990_13_1E_v.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_1E_v.jpg)
Nancy Reitkopf
Luggage Labels, from S.M.S. No. 1
1968![1990_13_1E_vi.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_1E_vi.jpg)
Nancy Reitkopf
Luggage Labels, from S.M.S. No. 1
1968![1990_13_1B_ii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_1B_ii.jpg)
Walter De Maria
Chicago Project, from S.M.S. No. 1
1968![1990_13_1B_iii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_1B_iii.jpg)
Walter De Maria
Chicago Project, from S.M.S. No. 1
1968![1990_13_1B_iv.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_1B_iv.jpg)
Walter De Maria
Chicago Project, from S.M.S. No.1
1968![1990_13_1B_v.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_1B_v.jpg)
Walter De Maria
Chicago Project, from S.M.S. No. 1
1968![1990_13_1B_vii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_1B_vii.jpg)
Walter De Maria
Chicago Project, from S.M.S. No. 1
1968![1990_13_1B_vi.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_1B_vi.jpg)
Walter De Maria
Chicago Project, from S.M.S. No. 1
1968![1990_13_1B_viii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_1B_viii.jpg)
Walter De Maria
Chicago Project, from S.M.S. No. 1
1968![1990_13_1B_ix.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_1B_ix.jpg)
Walter De Maria
Chicago Project, from S.M.S. No. 1
1968![1990_13_1K_ii-vi.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_1K_ii-vi.jpg)
Julien Levy
Pharmaceuticals, from S.M.S. No. 1
1968![1990_13_2J_ii.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_2J_ii.tif.jpg)
Marcia Herscovitz
Ten Collages, from S.M.S. No. 2
1968![1990_13_2J_iii.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_2J_iii.tif.jpg)
Marcia Herscovitz
Ten Collages, from S.M.S. No. 2
1968![1990_13_2J_iv.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_2J_iv.tif.jpg)
Marcia Herscovitz
Ten Collages, from S.M.S. No. 2
1968![1990_13_2J_v.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_2J_v.tif.jpg)
Marcia Herscovitz
Ten Collages, from S.M.S. No. 2
1968![1990_13_2J_vi.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_2J_vi.tif.jpg)
Marcia Herscovitz
Ten Collages, from S.M.S. No. 2
1968![1990_13_2J_vii.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_2J_vii.tif.jpg)
Marcia Herscovitz
Ten Collages, from S.M.S. No. 2
1968![1990_13_2J_viii.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_2J_viii.tif.jpg)
Marcia Herscovitz
Ten Collages, from S.M.S. No. 2
1968![1990_13_2J_ix.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_2J_ix.tif.jpg)
Marcia Herscovitz
Ten Collages, from S.M.S. No. 2
1968![1990_13_2J_x.tif](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_2J_x.tif.jpg)
Marcia Herscovitz
Ten Collages, from S.M.S. No. 2
1968![1990_13_1A_ii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_1A_ii.jpg)
James Lee Byars
Black Dress, from S.M.S. No. 1
1968![1990_13_2K_ii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_2K_ii.jpg)
George Reavey
Farewell to Faust, from S.M.S. No. 2
1968![1990_13_5L_ix.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_5L_ix.jpg)
William Copley
The Barber's Shop, from S.M.S. No. 5
1968![1990_13_5L_xi.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_5L_xi.jpg)
William Copley
The Barber's Shop, from S.M.S. No. 5
1968![1990_13_5A_ii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_5A_ii.jpg)
Robert Rohm
Cut Corners, from S.M.S. No. 5
1968![1990_13_5A_iii.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_5A_iii.jpg)
Robert Rohm
Cut Corners, from S.M.S. No. 5
1968![1990_13_5A_iv.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_1990_1999/1990_13_5A_iv.jpg)
Robert Rohm
Cut Corners, from S.M.S. No. 5
1968![4547.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_0_4571/4547.jpg)
Robert Rauschenberg
Cardbird VII, from the series Cardbirds
1971![3934.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_0_4571/3934.jpg)
Jean Dubuffet
Allégresse
1959![3791.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_0_4571/3791.jpg)
Stanley William Hayter
Printing plate for Amazon
1945![4233B.tif](https://kemper.qi-cms.com/website/media/w800/permanent_0_4571/4233B.tif.jpg)
Frank Stella
Untitled, from the portfolio X + X (Ten Works by Ten Painters)
1964![2017_0008.jpg](https://kemper.qi-cms.com/website/media/w800/permanent_2010_2019/2017_0008.jpg)