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Adam Pendleton To Divide By WashU
Grade: High, University

Adam Pendleton: To Divide By

go to Reading and Talk with Poet Simone White page
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Grade: University

Reading and Talk with Poet Simone White

go to Artist Q&A: Adam Pendleton page
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Grade: University

Artist Q&A: Adam Pendleton

go to Lecture: “Gerard Sekoto and the International Histories of African Modernism”  page
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Grade: University

Lecture: “Gerard Sekoto and the International Histories of African Modernism” 

go to Discussion: “Collecting and Exhibiting Modern African Art”  page
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Grade: University

Discussion: “Collecting and Exhibiting Modern African Art” 

go to Katharina Grosse: Returns, Revisions, Inventions page
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Grade: High, University

Katharina Grosse: Returns, Revisions, Inventions

go to Opening Event: “Lest We Forget”  page
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Grade: University

Opening Event: “Lest We Forget” 

go to Artist Q&A: Katharina Grosse  page
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Grade: University

Artist Q&A: Katharina Grosse 

go to Spring 2022 Interactive Laptop Music Compositions page
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Grade: University

Spring 2022 Interactive Laptop Music Compositions

go to Lecture: “Monsters, Cyborgs & Other Vessels: Apparitions of the Yellow Woman”  page
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Grade: University

Lecture: “Monsters, Cyborgs & Other Vessels: Apparitions of the Yellow Woman” 

go to Artist Talk: Nicole Miller  page
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Grade: University

Artist Talk: Nicole Miller 

go to Artist Talk: Chitra Ganesh  page
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Grade: University

Artist Talk: Chitra Ganesh 

go to Gallery Talk: “(Un)Masking Health”  page
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Grade: University

Gallery Talk: “(Un)Masking Health” 

go to Artist Talk: Deborah Roberts and Adrian Octavius Walker with Adrienne Davis  page
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Grade: University

Artist Talk: Deborah Roberts and Adrian Octavius Walker with Adrienne Davis 

go to Artist Talk: Sheldon Scott with Gwendolyn DuBois Shaw page
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Grade: University

Artist Talk: Sheldon Scott with Gwendolyn DuBois Shaw

go to New Perspectives Talk: “Interpreting the Ink Rubbings of the Wu Liang Shrine” page
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Grade: University

New Perspectives Talk: “Interpreting the Ink Rubbings of the Wu Liang Shrine”

go to Art Movement  page
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Grade: Middle, High, University

Art Movement 

go to Artist Talk: Jess T. Dugan and David Antonio Cruz with Amber Johnson  page
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Grade: University

Artist Talk: Jess T. Dugan and David Antonio Cruz with Amber Johnson 

go to Screening & Artist Talk: Hugo Crosthwaite  page
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Grade: University

Screening & Artist Talk: Hugo Crosthwaite 

go to ASL Tour: “Art & Social Change”  page
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ASL Tour: “Art & Social Change” 

go to Discussion and Performance: "Hostile Terrain 94"  page
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Grade: University

Discussion and Performance: "Hostile Terrain 94" 

go to Discussion: “Fast Forward” page
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Grade: University

Discussion: “Fast Forward”

go to Discussion: “Women’s Work”  page
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Grade: University

Discussion: “Women’s Work” 

go to New Perspectives Talk: “Memory and Resistance: Charles Meryon’s Paris” page
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Grade: University

New Perspectives Talk: “Memory and Resistance: Charles Meryon’s Paris”

go to A Close Look at "Parking Lots" by Ed Ruscha page
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Grade: High, University

A Close Look at "Parking Lots" by Ed Ruscha

go to Screening and Q&A: Amy Sillman  page
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Grade: University

Screening and Q&A: Amy Sillman 

go to A Close Look at “Les Pauvres” by Pablo Picasso (Mandarin) page
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Grade: High, University

A Close Look at “Les Pauvres” by Pablo Picasso (Mandarin)

go to A Close Look at “Oenone” by Harriet Hosmer page
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Grade: High, University

A Close Look at “Oenone” by Harriet Hosmer

go to A Close Look at “Untitled (Colored People Grid)” by Carrie Mae Weems page
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Grade: High, University

A Close Look at “Untitled (Colored People Grid)” by Carrie Mae Weems

go to Lecture: “Blurring the Boundaries: The Rise of Blockbuster Museum-Quality Exhibitions”  page
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Grade: University

Lecture: “Blurring the Boundaries: The Rise of Blockbuster Museum-Quality Exhibitions” 

go to New Perspectives Talk: “To Do without People: Moyra Davey’s Impossible Renunciation” page
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Grade: University

New Perspectives Talk: “To Do without People: Moyra Davey’s Impossible Renunciation”

go to Discussion: “African American Architecture in St. Louis: The Case of Charles E. Fleming” page
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Grade: University

Discussion: “African American Architecture in St. Louis: The Case of Charles E. Fleming”

go to Teaching from the Collection: Thomas Cole, “Aqueduct near Rome” page
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Grade: High, University

Teaching from the Collection: Thomas Cole, “Aqueduct near Rome”

go to Guided Close Looking: Fernand Léger, “Les grands plongeurs” page
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Grade: Middle, High, University

Guided Close Looking: Fernand Léger, “Les grands plongeurs”

go to Guided Close Looking: Rodney McMillian, “Untitled (Clouds)” page
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Grade: Middle, High, University

Guided Close Looking: Rodney McMillian, “Untitled (Clouds)”

go to New Perspectives Talk: “Myths of the Orient: Deconstructing the European Vision of the Middle East” page
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Grade: University

New Perspectives Talk: “Myths of the Orient: Deconstructing the European Vision of the Middle East”

go to Lecture: “Multidirectional Memories, Implicated Subjects, and the Possibilities of Art”  page
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Grade: University

Lecture: “Multidirectional Memories, Implicated Subjects, and the Possibilities of Art” 

go to Gallery Talk: “The Autonomous Future of Mobility”  page
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Grade: University

Gallery Talk: “The Autonomous Future of Mobility” 

go to New Perspectives Talk: “A Visual Breakdown: Confronting the Strange in Max Ernst’s L’oeil du silence” page
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Grade: University

New Perspectives Talk: “A Visual Breakdown: Confronting the Strange in Max Ernst’s L’oeil du silence”

go to Lecture: “Activating the Spectator by Reshaping the Aesthetic Field”  page
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Grade: University

Lecture: “Activating the Spectator by Reshaping the Aesthetic Field” 

go to Gallery Talk: “Truths and Reckonings” page
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Grade: University

Gallery Talk: “Truths and Reckonings”

go to Lecture: “Hybrid Landscape, a Lecture by Walter Hood”  page
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Grade: University

Lecture: “Hybrid Landscape, a Lecture by Walter Hood” 

go to Discussion: “The Artwork in Flux, a Live Q&A”  page
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Grade: University

Discussion: “The Artwork in Flux, a Live Q&A” 

go to Discussion: “Global Vistas: American Art and Internationalism”  page
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Grade: University

Discussion: “Global Vistas: American Art and Internationalism” 

go to Discussion: “Collection Care: A Conversation with the Midwest Art Conservation Center” page
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Grade: University

Discussion: “Collection Care: A Conversation with the Midwest Art Conservation Center”

go to Discussion: “The Art of Reading an Ancient Greek Vase”  page
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Grade: University

Discussion: “The Art of Reading an Ancient Greek Vase” 

go to Discussion: “Public Art: Commissions, Collections, and Engagement”  page
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Grade: University

Discussion: “Public Art: Commissions, Collections, and Engagement” 

go to Art on Campus: Jaume Plensa  page
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Grade: High, University

Art on Campus: Jaume Plensa 

go to Art on Campus: Katharina Grosse  page
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Grade: High, University

Art on Campus: Katharina Grosse 

go to Guided Close Looking: Willem de Kooning, “Saturday Night” page
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Grade: Middle, High, University

Guided Close Looking: Willem de Kooning, “Saturday Night”

go to Gallery Talk: “Edition MAT and Marcel Duchamp”  page
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Grade: University

Gallery Talk: “Edition MAT and Marcel Duchamp” 

go to Selections from the Speculum Romanae Magnificentiae, 16th century page
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Selections from the Speculum Romanae Magnificentiae, 16th century

March 2020

go to Lecture: “Unstable Futures: Conserving the Immaterial” page
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Grade: University

Lecture: “Unstable Futures: Conserving the Immaterial”

go to Discussion: “Truths and Reckonings”  page
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Grade: University

Discussion: “Truths and Reckonings” 

go to Lecture: “How to Make a Refugee” page
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Grade: University

Lecture: “How to Make a Refugee”

go to Ai Weiwei: Bare Life  page
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Grade: High, University

Ai Weiwei: Bare Life 

go to Artist Q&A: Ai Weiwei  page
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Grade: University

Artist Q&A: Ai Weiwei 

go to Allan Sekula, Volunteer’s Soup (Isla de Ons, 12/19/02), 2002–3 page
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Allan Sekula, Volunteer’s Soup (Isla de Ons, 12/19/02), 2002–3

Svea Bräunert, September 2016

go to Carrie Mae Weems, Untitled (Colored People Grid), 2009–10 page
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Carrie Mae Weems, Untitled (Colored People Grid), 2009–10

Allison Unruh, September 2016

go to Isa Genzken, Bill II, 2001, and Little Crazy Column, 2002 page
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Isa Genzken, Bill II, 2001, and Little Crazy Column, 2002

Svea Bräunert, September 2016

go to Paul Gauguin, Te Atua (The Gods), 1899 page
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Paul Gauguin, Te Atua (The Gods), 1899

Elizabeth Childs, September 2016

go to Honoré Daumier, Europe, 1867 page
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Honoré Daumier, Europe, 1867

Maxime Valsamas, March 2016

go to Thomas Cole, Aqueduct near Rome, 1832 page
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Thomas Cole, Aqueduct near Rome, 1832

William L. Coleman, February 2016

go to Odilon Redon, Une femme revêtue du soleil (A Woman Clothed in Sunshine), 1899 page
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Odilon Redon, Une femme revêtue du soleil (A Woman Clothed in Sunshine), 1899

Orin Zahra, December 2015

go to Nicole Eisenman, Tea Party, 2012 page
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Nicole Eisenman, Tea Party, 2012

Kelly Shindler, November 2015

go to Art on Campus: Ann Hamilton  page
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Grade: High, University

Art on Campus: Ann Hamilton 

go to Thomas Ball, Freedom's Memorial, 1875 page
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Thomas Ball, Freedom's Memorial, 1875

Katherine Harnish, April 2015

go to Yto Barrada, Tunnel—Disused Survey Site for a Morocco–Spain Connection and Landslip, Cromlech de Mzora, 2001–2002 page
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Yto Barrada, Tunnel—Disused Survey Site for a Morocco–Spain Connection and Landslip, Cromlech de Mzora, 2001–2002

April 2014

go to Franz Seraph von Lenbach, Portrait of Prince Otto von Bismarck, 1884–90 page
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Franz Seraph von Lenbach, Portrait of Prince Otto von Bismarck, 1884–90

James van Dyke, March 2014

go to Sanford Robinson Gifford, Rheinstein, Early October in the White Mountains, and Venetian Sails: A Study, 1872–1874 page
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Sanford Robinson Gifford, Rheinstein, Early October in the White Mountains, and Venetian Sails: A Study, 1872–1874

Jennifer Padgett, December 2013

go to Hendrick Goltzius, The Great Hercules, 1589 page
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Hendrick Goltzius, The Great Hercules, 1589

Marisa Bass, October 2013

go to Eugene Berman, The Good Samaritan (Le bon Samaritain), 1930 page
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Eugene Berman, The Good Samaritan (Le bon Samaritain), 1930

Keith Holz, March 2013

go to Georges Braque and the Cubist Still Life 1928–1945  page
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Grade: High, University

Georges Braque and the Cubist Still Life 1928–1945 

go to Daniel Hopfer, The Peasant Feast, c. 1533–36 page
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Daniel Hopfer, The Peasant Feast, c. 1533–36

Elizabeth Wyckoff, December 2012

go to Paul Klee, Zeichensammlung Südlich (Collection of Southern Signs), 1924 page
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Paul Klee, Zeichensammlung Südlich (Collection of Southern Signs), 1924

Sarah McGavran, April 2012

go to Jackson Pollock, Sleeping Effort, 1953 page
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Jackson Pollock, Sleeping Effort, 1953

Angela Miller, March 2012

go to Fumihiko Maki, Mildred Lane Kemper Art Museum building, 2006 page
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Fumihiko Maki, Mildred Lane Kemper Art Museum building, 2006

Eric Mumford, November 2011

go to Albrecht Dürer, Melencolia I, 1514 page
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Albrecht Dürer, Melencolia I, 1514

Ryan Gregg, September 2011

go to Fernand Léger, Les belles cyclistes (The Women Cyclists), 1944 page
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Fernand Léger, Les belles cyclistes (The Women Cyclists), 1944

Meredith Malone, July 2011

go to Frederic Edwin Church, Sierra Nevada de Santa Marta, 1883 page
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Frederic Edwin Church, Sierra Nevada de Santa Marta, 1883

Matthew Bailey, April 2011

go to Henri Matisse, Nature morte aux oranges (II) (Still Life with Oranges [II]), c. 1899 page
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Henri Matisse, Nature morte aux oranges (II) (Still Life with Oranges [II]), c. 1899

John Klein, April 2011

go to Barbara Kruger, Untitled, 1989–90 page
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Barbara Kruger, Untitled, 1989–90

Bradley Bailey, November 2010

go to Philip Guston, If This Be Not I, 1945 page
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Philip Guston, If This Be Not I, 1945

Lynette Roth, October 2010

go to Alberto Burri, Gran Ferro M1, 1958, and Gran Ferro M3, 1959 page
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Alberto Burri, Gran Ferro M1, 1958, and Gran Ferro M3, 1959

Karen K. Butler, September 2010

go to Allan McCollum, Pam Beale, 1971 page
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Allan McCollum, Pam Beale, 1971

Meredith Malone, August 2010

go to Max Beckmann, Weather-vane from the series Day and Dream, 1946 page
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Max Beckmann, Weather-vane from the series Day and Dream, 1946

Sydney Norton, April 2010

go to Unknown, Wulfing Repoussé Plaques, c. 1200–1400 page
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Unknown, Wulfing Repoussé Plaques, c. 1200–1400

Matthew Robb, March 2010

go to Robert Motherwell, Interior with Pink Nude, 1951 page
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Robert Motherwell, Interior with Pink Nude, 1951

Karen K. Butler, January 2010

go to Jean Dubuffet, Tête barbue, 1959, and Poches aux yeux, 1959 page
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Jean Dubuffet, Tête barbue, 1959, and Poches aux yeux, 1959

Karen K. Butler, December 2009

go to Wolfgang Tillmans, Portrait series, 2001 page
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Wolfgang Tillmans, Portrait series, 2001

Anna Warbelow, September 2009

go to Howard Jones, Solo Two, 1966 page
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Howard Jones, Solo Two, 1966

Meredith Malone, August 2009

go to Pierre Soulages, Peinture 200 x 265 cm, 20 mai 1959 (Painting 200 x 265 cm, 20 May 1959), 1959 page
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Pierre Soulages, Peinture 200 x 265 cm, 20 mai 1959 (Painting 200 x 265 cm, 20 May 1959), 1959

Karen K. Butler, May 2009

go to Georges Braque, Nature morte et verre (Still Life with Glass), 1930 page
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Georges Braque, Nature morte et verre (Still Life with Glass), 1930

Karen K. Butler, March 2009

go to Lorna Simpson, Counting, 1991 page
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Lorna Simpson, Counting, 1991

Elissa Weichbrodt, February 2009

go to Christian Boltanski, Padre Mariano, 1994 page
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Christian Boltanski, Padre Mariano, 1994

Rebecca DeRoo, January 2009

go to Raphael Soyer, Girl Standing Semi-nude, c. 1940 page
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Raphael Soyer, Girl Standing Semi-nude, c. 1940

Bryna Campbell, December 2008

go to Joseph Stella, Man in Elevated (Train), c. 1916–18 page
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Joseph Stella, Man in Elevated (Train), c. 1916–18

Michael Murawski, November 2008

go to Rembrandt van Rijn, The Three Crosses, 1660-61 page
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Rembrandt van Rijn, The Three Crosses, 1660-61

Paul Crenshaw, October 2008

go to Hermonax, Nolan Amphora, 475–465 BC page
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Hermonax, Nolan Amphora, 475–465 BC

Grizelda McClelland, September 2008

go to Alexander Calder, Five Rudders, 1964 page
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Alexander Calder, Five Rudders, 1964

Meredith Malone, August 2008

go to Narcisse Virgile Diaz de la Peña, Wood Interior, 1867 page
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Narcisse Virgile Diaz de la Peña, Wood Interior, 1867

Rachel Keith, July 2008

go to Harriet Hosmer, Oenone, 1854–55 page
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Harriet Hosmer, Oenone, 1854–55

Erin Sutherland Minter, June 2008

go to George Wesley Bellows, Portrait of Geraldine Lee, No. 1, 1914 page
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George Wesley Bellows, Portrait of Geraldine Lee, No. 1, 1914

Michael Murawski, May 2008

go to Willem de Kooning, Saturday Night, 1956 page
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Willem de Kooning, Saturday Night, 1956

John J. Curley, April 2008

go to Max Ernst, L’oeil du silence (The Eye of Silence), 1943-44 page
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Max Ernst, L’oeil du silence (The Eye of Silence), 1943-44

Sabine Eckmann, March 2008

go to Joseph Jones, Landscape, 1932 page
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Joseph Jones, Landscape, 1932

Bryna Campbell, February 2008

go to Ludwig Meidner, Selbstbildnis (Self-Portrait), 1912 page
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Ludwig Meidner, Selbstbildnis (Self-Portrait), 1912

Anne Popiel, January 2008

go to Olafur Eliasson, Your Imploded View, 2001 page
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Olafur Eliasson, Your Imploded View, 2001

Meredith Malone, December 2007

go to Jean-Baptiste-Camille Corot, Le chemin des vieux, Luzancy, Seine-et-Marne, 1871–72 page
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Jean-Baptiste-Camille Corot, Le chemin des vieux, Luzancy, Seine-et-Marne, 1871–72

Noelle Paulson Bradley, November 2007

go to Thomas Eakins, Portrait of Professor W. D. Marks, 1886 page
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Thomas Eakins, Portrait of Professor W. D. Marks, 1886

Emilie Boone, October 2007

go to John Baldessari, Two Compositions (Formal / Informal; Interior / Exterior), 1990 page
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John Baldessari, Two Compositions (Formal / Informal; Interior / Exterior), 1990

Catharina Manchanda, September 2007

go to Marsden Hartley, The Iron Cross, 1915 page
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Marsden Hartley, The Iron Cross, 1915

Michael Murawski, August 2007

go to Max Beckmann, Les Artistes mit Gemüse (Artists with Vegetable), 1943 page
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Max Beckmann, Les Artistes mit Gemüse (Artists with Vegetable), 1943

Sabine Eckmann, July 2007

go to Andrea Fraser, Little Frank and His Carp, 2001 page
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Andrea Fraser, Little Frank and His Carp, 2001

Meredith Malone, June 2007

go to Franz Ackermann, Condominium, 1994–2002 page
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Franz Ackermann, Condominium, 1994–2002

Jodi Kovach, May 2007

go to Josef Albers, Homage to the Square: Aurora, 1951-55 page
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Josef Albers, Homage to the Square: Aurora, 1951-55

Michael Murawski, April 2007

go to Cosima von Bonin, Rockstars (Character Appropriation), 2003 page
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Cosima von Bonin, Rockstars (Character Appropriation), 2003

Jodi Kovach, March 2007

go to Romare Bearden, Black Venus, 1968 page
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Romare Bearden, Black Venus, 1968

Meredith Malone, February 2007

go to Lucebert, The Menaced House, 1962 page
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Lucebert, The Menaced House, 1962

Meredith Malone, January 2007

go to "Stacking Traumas": Communicating Sound, Negotiating Trauma page
Stacking Traumas 11
Grade: High, University

"Stacking Traumas": Communicating Sound, Negotiating Trauma

go to 19th- and Early 20th-Century American and European Art page
Golden Brown Painting
Grade: High, University

19th- and Early 20th-Century American and European Art

go to Across Past, Present, and Future: Art by Black Artists page
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Grade: High, University

Across Past, Present, and Future: Art by Black Artists

go to American and European Art Post-1950 page
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Grade: High, University

American and European Art Post-1950

go to Art Talk page
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Grade: Elementary, Middle, High, University

Art Talk

go to Art and Activism page
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Grade: Middle

Art and Activism

go to Art and Storytelling page
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Grade: Middle

Art and Storytelling

go to Balancing Acts page
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Grade: Elementary, Middle

Balancing Acts

go to Borders and Resistance page
Tunnel—Disused Survey Site for a Morocco-Spain Connection
Grade: High, University

Borders and Resistance

go to Connecting Literature and Visual Art page
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Grade: High, University

Connecting Literature and Visual Art

go to Continuous Line Drawing page
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Grade: Elementary, Middle, High, University

Continuous Line Drawing

go to Conversation Bubbles page
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Grade: Elementary, Middle, High, University

Conversation Bubbles

go to Ekphrastic Poem page
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Grade: Elementary, Middle, High, University

Ekphrastic Poem

go to Expressing Emotions page
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Grade: Middle

Expressing Emotions

go to Group Poem page
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Grade: Elementary, Middle, High, University

Group Poem

go to Lines, Shapes, and Colors page
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Grade: Elementary

Lines, Shapes, and Colors

go to Spiderweb Weaving page
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Grade: Elementary, Middle

Spiderweb Weaving

go to Symbols in Art and Math page
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Grade: Elementary, Middle

Symbols in Art and Math

go to The Power of Queer Portraiture page
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Grade: High

The Power of Queer Portraiture

go to Tissue Paper Collage page
Cart
Grade: Elementary, Middle

Tissue Paper Collage