Mythologized, Idealized, Modernized: The Human Figure in Western Art

May 13, 2011 - July 18, 2011
Kemper Art Museum, Teaching Gallery

The human body—depicted nude, in allegorical form, in portraiture, or as an object mediated by the effects of modernization—is one of the oldest and most important subjects in Western art. This Teaching Gallery exhibition brings together diverse representations of the figure, ranging from ancient Greek and Roman objects, to Renaissance prints, to modern painting and sculpture. This dynamic array allows for an exploration of a wide range of stylistic approaches to the depiction of the human body, while also providing a glimpse at the variety of forms and materials employed by artists across the centuries. These include the Nolan Amphora (475-465 BC), a Greek wine vessel depicting an erotic chase; Albrecht Dürer’s engraving Christ on the Cross (1508); Sir Peter Paul Rubens’s chalk and gouache drawing Parade of the Captured Chiefs (1600–8); Louis Gauffier’s charcoal drawing Study of a Male Nude (1786); James Ensor’s oil painting Christ Tormented (1888); and Jean Dubuffet’s found driftwood sculpture Bearded Head (1959).

Mythologized, Idealized, Modernized: The Human Figure in Western Art is organized by Jennifer Padgett, an MA candidate in the department of Art History and Archaeology, in conjunction with the course “Introduction to Western Art,” offered by Washington University’s Department of Art History & Archaeology in summer 2011.

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Image Credit

James Ensor, Le Christ tourmenté (Christ Tormented), 1888. Oil on linen, 21 7/8 x 27 5/8". Bequest of Morton J. May, 1968.