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Activating the Spectator by Reshaping the Aesthetic Field

October 10, 2020
11 am (CT)
In Conversation series, online

Closed captioned

Activating the Spectator by Reshaping the Aesthetic Field: Op, Kinetic, and Participatory Art in South America, 1959–1965

As part of this fall's "In Conversation" series, join us for a live online lecture by Alexander Alberro, Virginia Bloedel Wright Professor of Modern and Contemporary Art History at Barnard College, in which he will explore the development of research-based artistic practices that fused art with mathematics, science, and technology in the late 1950s and early 1960s in South America. The stated goal of many Op and kinetic artists working during those years was to demystify the creative process in favor of an objective investigation of visual phenomena. Alberro will address how and why these experiments evolved into a greater concern with the participation of the art spectator.

This lecture is presented in conjunction with the exhibition Multiplied: Edition MAT and the Transformable Work of Art, 1959–1965

Meredith Malone, associate curator at the Mildred Lane Kemper Art Museum, and Ignacio M. Sánchez Prado, Jarvis Thurston and Mona Van Duyn Professor in the Humanities, Department of Romance Languages and Literatures and the Latin American Studies Program at Washington University in St. Louis, will serve as respondents.

Questions are encouraged and will be answered live. The program will include live closed captions in English and Spanish.

This program is free, but registration is required. 

View the program >>

About the speaker

Alexander Alberro is the author and editor of numerous books, including Abstraction in Reverse: The Reconfigured Spectator in Mid-Twentieth Century Latin American Art (2017); Luis Camnitzer in Conversation with Alexander Alberro (2014); What Is Contemporary Art Today? (2012); John Miller: The Ruin of Exchange (2012); Institutional Critique: An Anthology of Artists’ Writings (2009); Art after Conceptual Art (2006); Museum Highlights (2005); Conceptual Art and the Politics of Publicity (2003); Recording Conceptual Art (2001); Two-Way Mirror Power (1999); and Conceptual Art: A Critical Anthology (1999). His writings have also been published in a broad range of journals and exhibition catalogues and translated into numerous languages. He is presently completing a book-length study, The Shape of Contemporary Art, that focuses on the transformation of the infrastructure of contemporary art in the new geography of globalization. He is also the founding editor of the book series “Studies on Latin American Art” at the University of California Press, which commissions publications of art history and cultural practices emerging from Central and South America, the Caribbean, and the Latin American diaspora in the 20th and 21st centuries.

In Conversation

“In Conversation” is a series of live online talks with artists, art historians, and scholars, exploring the intersections of art, history, and contemporary life. Bring your own questions and insights to these lively discussions from wherever you are.

Image credit

Jesús Rafael Soto (Venezuelan, 1923–2005), Spirale (Spiral), 1955/1959. Screen printing on Plexiglas and painted plywood, 19 11/16 x 19 11/16 x 9 13/16 in. (50 x 50 x 25 cm). Published by Edition MAT, Paris. Kern Collection, Großmaischeid, Germany. © 2019 Artists Rights Society (ARS), New York / ADAGP, Paris.