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go to El camino a Campeche (The Road to Campeche) page
Leopoldo Méndez
El camino a Campeche (The Road to Campeche)
1946
go to Jesus as a Boy, Talking with the Edlers in the Temple page
Marcantonio Raimondi
Jesus as a Boy, Talking with the Edlers in the Temple
n.d.
go to Lot et ses filles (Lot and His Daughters) page
Jacques Bonnefoy d'Arles
Lot et ses filles (Lot and His Daughters)
late 18th century
go to "Mes chers petits Parisiens..." ("My dear little Parisians..."), from La Charge page
Alfred Le Petit
"Mes chers petits Parisiens..." ("My dear little Parisians..."), from La Charge
n.d.
go to L’homme d’affaire de sa Majesté (His Majesty’s Businessman), from La Charge page
Alfred Le Petit
L’homme d’affaire de sa Majesté (His Majesty’s Businessman), from La Charge
n.d.
go to – Je vous aimerais tant?.. (– I would love you so much?..), from the series A La Campagne (In the Countryside), published in Le Charivari page
E. Damourette
– Je vous aimerais tant?.. (– I would love you so much?..), from the series A La Campagne (In the Countryside), published in Le Charivari
n.d.
go to "Eh! ben, qué-qu'-t'as?.…" ("Well, what's up with you?....,"), from the series Fariboles (Frivolities), published in Le Charivari page
Unknown (French, 19th century)
"Eh! ben, qué-qu'-t'as?.…" ("Well, what's up with you?....,"), from the series Fariboles (Frivolities), published in Le Charivari
n.d.
go to Une Rencontre à Dieppe (A Meeting in Dieppe), from the series Fariboles (Nonsense), published in le Charivari page
Unknown (French, 19th century)
Une Rencontre à Dieppe (A Meeting in Dieppe), from the series Fariboles (Nonsense), published in le Charivari
n.d.
go to Causus belli (Cause for War), from the series L’Opéra au XIXéme siècle (The Opera in the 19th Century), published in Le Charivari page
Edouard de Beaumont
Causus belli (Cause for War), from the series L’Opéra au XIXéme siècle (The Opera in the 19th Century), published in Le Charivari
n.d.
go to L'artiste s'épuise à indiquer les finesses répandues dans son oeuvre: (The Artist wears himself out trying to underscore the subtleties permeating his work:.), from the series Salon de 1841 (Salon of 1841), published in Le Charivari page
Unknown (French, 19th century)
L'artiste s'épuise à indiquer les finesses répandues dans son oeuvre: (The Artist wears himself out trying to underscore the subtleties permeating his work:.), from the series Salon de 1841 (Salon of 1841), published in Le Charivari
n.d.
go to Comme quoi à la campagne tout n'est pas roses. (It just goes to show that in the country everything is not roses), from the series A La Campagne (in the Country), published in Le Charivari page
Unknown
Comme quoi à la campagne tout n'est pas roses. (It just goes to show that in the country everything is not roses), from the series A La Campagne (in the Country), published in Le Charivari
n.d.
go to Le gibier qui est toujours le plus tentant. (The game that is always more tempting.), from the series Fariboles (Nonsense), published in le Charivari page
Unknown (French, 19th century)
Le gibier qui est toujours le plus tentant. (The game that is always more tempting.), from the series Fariboles (Nonsense), published in le Charivari
n.d.
go to _Tiens! ma femme qui s'occupe aussi du magnétisme…(Oh ! my wife is also into magnetism…), from the series Fariboles (Nonsense), published in Le Charivari page
