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Peinture (Painting)
1925
In the mid-1920s the Spanish Surrealist artist Joan Miró made line drawings in paint of semiabstract figures and signs that hinted at personal and symbolic meanings. In Peinture, a diagrammatic arrangement of solid and dotted lines, letters, and shapes in red and black appears to float over a horizonless space. Miró created the illusion of a bound less vaporous atmosphere by applying layers of diluted paint over a canvas sized with glue to reduce permeability, resulting in an uneven absorption of paint. Over the mottled background, the profile of a mustachioed bourgeois gentleman is delineated by a thin line that ends in a thick red coil suggestive of anatomical or scatological associations. The ambiguity of this visual innuendo is underscored by the letters J O I along the left side of the canvas, which may allude to the French words joie (joy), jouer (to play), journal (newspaper), or jouir (to enjoy). [Permanent collection label, 2019]